VELAZQUEZ, Diego Rodriguez de Silva y
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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VELAZQUEZ, Diego Rodriguez de Silva y Unknown man oil painting


Unknown man
mk237 1620 Oil on canvas 207x148cm
Painting ID::  54678
VELAZQUEZ, Diego Rodriguez de Silva y
Unknown man
mk237 1620 Oil on canvas 207x148cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Robe oil painting


Robe
mk237 1620 Oil on canvas 166x120cm
Painting ID::  54679
VELAZQUEZ, Diego Rodriguez de Silva y
Robe
mk237 1620 Oil on canvas 166x120cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Vestal oil painting


Vestal
mk237 1620 Oil on canvas 160x110cm
Painting ID::  54680
VELAZQUEZ, Diego Rodriguez de Silva y
Vestal
mk237 1620 Oil on canvas 160x110cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Vestal oil painting


Vestal
mk237 1620 oil on canvas
Painting ID::  54681
VELAZQUEZ, Diego Rodriguez de Silva y
Vestal
mk237 1620 oil on canvas
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y The man wearing beard oil painting


The man wearing beard
mk237 1620-2 oil on canvas 41x36cm
Painting ID::  54682
VELAZQUEZ, Diego Rodriguez de Silva y
The man wearing beard
mk237 1620-2 oil on canvas 41x36cm
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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